Description: Original letter from Byron Cheever, Publisher of North American Decoys, expressing Cheever's willingness to publish Wendell Gilley's book and asking questions about publication and printing details.
Description: Letter thanking Wendell Gilley for the loan of his carvings for the exhibit Downeast Bird Carvings by Wendell Gilley held at the Academy of Natural Sciences, Philadelphia, Oct. 29, 1976 through Jan. 7, 1977
Description: Letter congratulating Gilley on the success of the exhibition Downeast Bird Carvings of Wendell Gilley at the Academy of Natural Sciences in Philadelphia. On exhibit were sixty-one carvings of birds "on display together for the first time." 34, 272 people attended the exhibit during its ten week run from October 29, 1976 to January 7, 1977.
Description: Letter discusses publishing Gilley's book in a limited edition as well as including a photograph of Gilley with an osprey as an insert. It also mentions a carving of an owl and another of a bobwhite quail on a hatchet.
Description: O'Brien acknowledges receipt of a spotted sandpiper carving from Gilley and discusses a handle Gillely designed for an X-Acto blade as well as decoy designs.
Description: Letter describing O'Brien's sailing trip around Buckle Island, Swans Island and others and the eiders and ospreys he saw. This letter also mentions Gilley's idea for a museum.
Description: This letter praises Wendell Gilley's inventiveness, his carving and his book . O'Brien refers to a vise for holding decoys and carvings for painting that Wendell includes in the book.
Description: Photocopy from the original by Byron Cheever listing questions he had regarding publishing Gilley's book. Gilley's answers as dictated to Donal C. O'Brien, Jr. are in pencil after each question.
Description: Note from O'Brien included with a copy of a letter from Byron Cheever. O'Brien mentions having been asked by Peggy Rockefeller if Gilley would sell her a flock of geese.
Description: Cheever writes that he has received the materials for Gilley's book and that he read the new chapter on decoys and thought it was well done. He also talks about meeting carver Harold Haertel in Chicago at a meeting of decoy collectors.
Description: Letter acknowledges receipt of a copy of O'Brien's letter to Wendell H. Gilley. Cheever promises to work on the material for Gilley's book but says hes is in the process of getting the summer issue of North American Decoys ready for the printer.
Description: Letter discusses sending text, artwork, and photos for the book, Art of Bird Carving, to Byron Cheever. Flying goose, bob-white and blue quail carvings are also mentioned.
Description: This letter discusses correspondence between Wendell Gilley and Byron Cheever, author and magazine publisher, about Gilley's book. The author of the letter makes suggestions about paper and cover art and discusses copyright.
Description: This letter acknowledges receipt of a letter and chisel from Gilley, and discusses various carvings including a spotted sandpiper on a mussel shell and two pairs of quail
Description: This letter expresses Lucretia Evans' intention to donate her copy of Wendell Gilley's book Bird Carving, a Guide to a Fascinating Hobby, which she believed might be a first edition.
Description: Letter concerning the packing and shipping of a pintail duck carving commissioned from Wendell Gilley by Norman Willock and returned to the museum for repair.
Description: Written on museum letterhead, this letter describes the opening of the Wendell Gilley Museum and mentions Wendell Gilley's donation of his carvings to the museum
Description: Letter acknowledging return of a bob-white carving as well as discussion of solder and advice on where to get bass wood. Also included are sketches of the leg and foot of a Canada goose.
Description: Letter to the Museum Director about sending the museum copies of letters received from Wendell Gilley. Enclosed are two letters by Wendell Gilley to Mr. Stearns.
Description: Letter to the donor of a bronze sculpture by Walther Matia in memory of Foster Whitlock . The letter thanks her for her donation of the sculpture to the museum and describes the dedication ceremony.