Description: One of sixty-one carvings exhibited in a major museum retrospective "Downeast Bird Carvings by Wendell Gilley" at the Academy of Natural Sciences in Philadelphia in 1976/77. Adult male northern flicker in a feeding position on driftwood mount ; glass eyes, cast lead feet with curved talons "gripping" the curves of the driftwood ; signed "Gilley" in black ink on lower left of the upper surface of the mount ; additionally signed on the flat underside of the base in three separate areas: "Yellow-shafted Flicker" and "By W.H. Gilley 1969" and "Made especially for Dr. & Mrs. J.L. Hollander." [show more]
Description: No base ; carved from balsa wood ; glass eyes, cast metal three-toed feet ; flat polychrome paint is applied in a somewhat stylized rather than strictly naturalistic, feather treatment ; Signed "Gilley" between feet below a small round hole ; no date
Description: Very early Gilley diorama ; carved and painted American goldeneye against painted winter scene on board. Marked "Made about 1935 Wendell Gilley" on back. Signed "Gilley on bottom front.
Description: Figure permanently mounted on round footed base, intended to be covered with a glass dome. Top of base is a 3/4 inch diameter inner-ground of fine sand. Heron has cast lead legs and feet, lead-strip crest feathers, glass eyes. Signed "Gilley" on side of driftwood "stump" below left side of bird ; no date.
Description: Birds painted in summer plumage. Bottom of driftwood base marked "Made for Hilda + Hulda Bragdon, Xmas 1971." Signed "Gilley" on right front of base.
Description: Six-board pine box, lap-joined and nailed, with clear acrylic finish ; rounded-edge lift cover, carved underneath to set in box cavity. Five-inch long mallard is screw-mounted lengthwise in the center of cover ; has two curled lead-strip tail-curls, glass eyes. Marked "Made for Hilda and Hulda Bragdon" on underside of box. Signed "Made by Wendell Gilley" and dated 1950 (in a circle).
Description: Carving of a half-bodied mallard duck in flight superimposed on a painted scene of shoreline and water ; duck approximately seven inches long, six inches high ; both legs are broken off and missing ; traces of practice painting on reverse ; edges painted silver ; signed bottom right "Gilley"
Description: Adult male in breeding plumage depicted on a wooden piling attached to egg-shaped pine base ; cast lead legs and feet, glass eyes ; signed "Gilley '75" on front of base. Underside of base marked: "Hilda and Hulda Bragdon, 1975" and signed "by Wendell Gilley"
Description: One marked "Made for Hilda Bragdon by W.H. Gilley" on underside of base. The other marked "Made for Hulda Bragdon by W.H. Gilley" on underside of base. Both dated 1970.
Description: Adult male goldfinch in summer plumage sitting on real branch ; "Gilley" signature on front topside of base almost completely faded ; additionally underside bears jackknife rubber stamp Gilley mark ; underside of base marked "Wedding gift to Joe + Anne Bragdon from Wendell H. Gilley + Addie" ; dated Oct, 4, 1981.
Description: Adult bald eagle, approximately one-sixth life-size, sitting upright on small driftwood knot ; lead feet with talons realistically gripping the base ; undercut wing tips crossed over carved tail ; Signed "Gilley" on left side of driftwood base; marked "Hilda, Hulda Bragdon, Xmas 1973" on underside of base
Description: Two adult birds on a roughly "J" shaped driftwood base ; glass eyes ; cast lead legs and feet. Signed "Gilley" on right side of driftwood base below the sitting gull ; inscribed "Made for Hilda - Hulda Bragdon 1972" on underside of base.
Description: Wendell Gilley is a name well known among carvers and carving collectors. Author of The Art of Bird Carving: A Guide to a Fascinating Hobby, one of the earliest instructional books on the subject, Gilley was a pioneer in the field of decorative bird carving. By his estimate, he created “ten thousand birds of pine and paint” between 1931 and 1983. (Gilley also loved alliteration; it should be noted that most of his carvings were made of basswood.) [show more]
Description: Addie Gilley’s created an outstanding collection of her husband’s work. The carvings that Addie so wisely saved over the years became the core of the Museum’s permanent collection. Wendell and Addie were the guests of honor at the opening of the Gilley Museum on July 12, 1981. They remained active in the museum until their deaths a few months apart in 1983.
Description: Original letter from Byron Cheever, Publisher of North American Decoys, expressing Cheever's willingness to publish Wendell Gilley's book and asking questions about publication and printing details.
Description: Wendell suggests carvings he had on hand that could be photographed to illustrate his book. Birds he suggests are: bob white quail, scaled quail, flock of 7 Canada geese, pair of Wilson snipe, pair of grouse, single woodcock, several miniature birds of all types, great blue heron with trout in mouth, group of three pintails, life size eagle, pair of life size wood duck, spotted sandpiper on mussel shell, life size pileated woodpecker, pair of eagles with two babies in nest. [show more]
Description: This letter is a reply to the Gilley Museum Director's request for a garden to be donated by the Garden Club of Mount Desert. It also mentions a carving of three gulls on a driftwood based that Mrs. Bancroft commissioned from Wendell Gilley.
Description: The letter writer is asking for more information on Wendell Gilley after watching a Boston television program profiling him. She also mentions owning a Gilley carving of a mallard pair.
Description: 3 Guestbooks containing signatures of Wendell Gilley's visitors from March 1944 - Nov. 1951, July 24, 1971 - July 9, 1974, and July 12, 1974 - June 13, 1977. 1 notebook listing names of visitors to his workshop between May 1970 and July 24, 1971
Description: Letter describes Mr. Silver's visit to Elmer Crowell's workshop where he purchased several miniature bird carvings, and his subsequent visit to Wendell Gilley's workshop. Enclosed are photographs of a greater yellowlegs and a duck carved by Crowell. Silver also describes Wendell Gilley's trip to Abercrombie and Fitch where he was inspired to start bird carving.
Description: Christmas card featuring a carving of a family of bald eagles, the female perched on the edge of the nest of two chicks, the male on a branch above with wings spread. Marked 1969 on reverse of card
Description: Christmas card featuring a carved barn owl on a piece of driftwood. Signed "Addie & Wendell Gilley." Marked "Xmas 1976" on reverse side of card
Description: Christmas card featuring a carved saw-whet owl surrounded by snow covered greenery. Signed "Sincerely, Wendell & Addie Gilley" and dated 1967 on reverse side of card
Description: Postcard depicting a carved mallard on a driftwood base signed "Gilley" ; "Mallard Drake bird carving by Wendell Gilley" printed on reverse side of card.
Description: Postcard depicting a carved Canada goose which appears to be flying over a hedge ; "Canada Goose bird carving by Wendell Gilley" printed on reverse side of card.
Description: Wendell Gilley carved the chickadee in this photo used as an advertisement for Warren Tool shortly before his death in 1982. Mounted on mat board ; Warren Tool Co. label on reverse side of board. Accompanied by handwritten note from Fred Clark, President of Warren Tool.
Description: Photograph of an interior showing gull carvings, including a mobile, by Wendell Gilley. Stamped "Anchor Light Studio, W.H. Ballard, Southwest Harbor, Maine" on back.
Description: Photograph of a herring gull carved by Wendell Gilley. The gull is perched on a buoy with the number 7 painted on it. Behind the gull is a painted scene of water and rocks. Stamped "W.H. Ballard, Photographer, S. W. Harbor, Me" on back.
Description: Photograph of a pair of cinnamon (?) teal carved by Wendell Gilley. Marked "Sam Rayburn" on reverse. "1958" written in blue ballpoint lower right corner.
Description: Photograph of five birds carved by Wendell Gilley. Clockwise from left: black duck, Canada goose, canvasback, harlequin duck, and common eider. Stamped "W.H. Ballard, Photographer, S. W. Harbor, Me" on back. Numbered "#28" in pencil above stamp.
Description: Photograph of bald eagle, perched with wings spread above fish on oval base, carved by Wendell H. Gilley. Marked "Eagle with fish by Wendell Gilley" in ink on reverse side.
Description: Photograph of a marbled (?) godwit carved by Wendell H. Gilley. The carving appears to be part of a diorama. On reverse side in pencil: "George W. Pepper 3rd" . "Roche Photography, Caldwell N.J." stamp on reverse.
Description: Letter to the President of Warren Tool Co., Fred Clark, concerning wood carving tools and ways of holding tools on a work bench. Also mentioned is a grouse carving loaned to Harry Meech, one of the founders of the National Carvers Museum.
Description: Describes Wendell Gilley's visit to Herkimer New York where in 1967 Fenner invited him to be guest speaker at the National Woodcarvers Association Woodcarving Show held there. This letter is accompanied by photos of Wendell Gillley at the show.
Description: Photograph accompanies letter from Donald M. Fenner to the Gilley Museum. Back of photograph marked: "DMF, Wendell Gilley, NWCA Meeting Herkimer, N.Y. May 1967, examining carvings by Erwin Caldwell".
Description: Photograph accompanies letter from Donald M. Fenner to the Gilley Museum. Back of photograph marked: "Helen Lay Strong - died June 13, 1995, Ed Gallenstein - President National Woodcarvers Association, Wendell Gilley, NWCA Herkimer Meeting, May 1967".
Description: Photograph accompanies letter from Donald M. Fenner to the Gilley Museum. The two carvers are shown seated with various carvings by Wendell Gilley. The pintail in Gilley's hands was given to Fenner. Back of photograph marked: "'Captain' Ed Moore, Wendell L. [sic] Gilley, Woodcarvers Meeting, Herkimer, N.Y. May 1967"
Description: Photograph accompanies letter from Donald M. Fenner to the Gilley Museum. The two carvers are shown seated with various carvings by Wendell Gilley. The pintail in Gilley's hands was given to Fenner. Back of photograph marked: "N.Y.S. Wood carvers Convention Herkimer - May 1967 " ; stamped: "Carlyle W. Kennedy."
Description: Letter to the president of Warren Tool Co. from artist Ekstrom about an article and artwork of Wendell Gilley's chickadee for Popular Woodworking. Ekstrom describes how he had to carve the chickadee himself before he could finish the article.
Description: Notecard reads "Dear Nina: We are lifelong summer residents of SWH and had the great fortune growing up to meet Wendell several times in his workshop while he was carving birds for my grandparents which we now cherish. My mother Linda Madara was asked by Downeast Magazine to write a story about Wendell and to photograph him and his carvings. We came across the text and original copy this summer and thought you may want it for the archives. Best regards, Ted Madara" Note accompanies a typescript of the magazine article, "Wendell Gilley - The Art of Fine Bird Carving" and photographic negatives. [show more]
Description: Wendell Gilley seated in his workshop next to a window with miniature carvings on windowsill. "Credit: Roche, Caldwell N.J." stamped on reverse.
Description: Heron standing on driftwood base with beak pointing upward against painted background. In pencil on reverse: "Blue Heron." "Credit: Roche, Caldwell N.J." stamped on reverse.
Description: The published version of this draft appeared with the title "A Visit with Wendell Gilley, A Legend in the Carving World" in the National Carver's Museum publication, The Mallet. The author indicates that in Nov. 1979 Wendell told him about the planned building of the Wendell Gilley Museum.
Description: Letter thanking Fred Clark, President of Warren Tool Co., for promoting the Gilley Museum in its catalog. The letter also describes winter events at the museum as well as the museum's collection of taxidermy.
Description: Photograph of Gilley chickadee carving used to sell blanks in the Warren Tool catalog. Note on reverse written by Warren Tool president Fred Clark: "Note: Carved chickadee (shown) personal gift from the late Wendall [sic] Gilley..."
Description: Artist-in-Residence Steven Valleau at work on one of a series of panels for the outside of the museum building marking the museum's fifteenth anniversary.
Description: Panel carved by Gilley Museum Artist-in-Residence Steven Valleau ca 1995 ; one of a series marking the fifteenth anniversary of the museum.
Description: Panel carved by Gilley Museum Artist-in-Residence Steven Valleau ca 1995 ; one of a series marking the fifteenth anniversary of the museum.
Description: Panel carved by Gilley Museum Artist-in-Residence Steven Valleau ca 1995 ; one of a series marking the fifteenth anniversary of the museum.
Description: Panel carved by Gilley Museum Artist-in-Residence Steven Valleau ca 1995 ; one of a series marking the fifteenth anniversary of the museum.
Description: Group portrait of Wendell Gilley Museum Board with Museum Director Nina Gormley in front of the museum building. Back row, left to right: Sarah Elliott, Carol West, John Wilmerding, Trustee Emeritus, Ashley Bernhard, Nina Gormley, Executive Director/Curator, Clare Shepley, Jennifer Nolan, Roc Cavino, Elizabeth Hughes, Douglass Gott. Front row, left to right: Barbara Rockefeller, Steven Rockefeller, Kate Briggs, Robert Hinkley, Eleanor Hoagland. Not pictured: Arthur Rogers. [show more]
Description: Letter mentions meetings of the Mount Desert Island Bird Club and MDI Hospital Auxiliary being held at the Gilley Museum. Enclosed with the letter is a Polaroid photo of an unpainted eagle carving. Wendell also mentions working on two life-size grouse .
Description: Letter mentions receiving a bird book from the Whitlocks. It also talks about working on carvings of an eagle with a fish and a ruffed grouse with spread tail and another taking off in flight. Enclosed with the letter are drawings of male and female swimming buffleheads.
Description: Black and white photograph with label: "Pileated woodpecker. 1970 carving by Wendell Gilley - Collection of Wendell Gilley Museum - photo by Dori Selene Rockefeller" on reverse
Description: Black and white photograph labeled "Ruffed Grouse. 1981 carving by Wendell Gilley - collection of Dr. and Mrs. Leonard Gilley - photo by Dori Selene Rockefeller" on reverse
Description: Black and white photograph labeled "Wendell Gilley - Great Blue Heron" and inscribed "Woodcarving of a 'Great Blue Heron with Trout' by Wendell Gilley, 1974 - collection of the Wendell Gilley Museum, Southwest Harbor" in red ink on reverse
Description: Black and white photograph labeled "Golden eagle. 1980 carving by Wendell Gilley - collection of Wendell Gilley Museum - photo by Dori Selene Rockefeller" on reverse
Description: Family of bald eagles, the female perched on the edge of the nest containing two chicks, the male on a branch above with wings spread ; signed "Gilley" on base ; no visible date
Description: Two Chickadees mounted on driftwood branch attached to carved wooden base ; upper bird is upside down, lower bird faces out from branch ; glass eyes, wire legs and feet ; no visible date ; signed "Gilley" on rear of base.
Description: Chickadee with head down perched on driftwood branch attached to carved oval wooden base ; glass eyes, wire legs and feet ; signed "Gilley" on rear left of base ; no date visible
Description: Male mallard mounted on driftwood attached to smooth painted wooden base ; signed "Gilley" in light grey on front of base; no visible date
Description: Wendell Gilley standing next to a life size great horned owl carving. Also shown are carvings of a Canada goose, woodcock, and an unpainted pair of cormorants.
Description: Wendell Gilley, holding a carving of a ruffed grouse, with Steven Rockefeller. On reverse side of photograph: "Wendell Gilley in his S.W. Harbor Studio"
Description: Owl looking over left shoulder, perched on driftwood base. Inscribed "Made especially for Hilda + Hulda Bragdon , Saw whet owl" on underside of base ; signed W.H. Gilley and dated 1969.
Description: Approx. 1/4 life size group of four; two males, two females on driftwood branch mounted on smooth oblong wooden base. Underside of base inscribed "Wood Ducks by Wendell Gilley 1976".
Description: Polaroid photograph of Wendell Gilley standing in his workshop. In front of him is a table holding a saw. Behind him to his right is a carving of a Canada goose.
Description: Open winged gull with metal legs and feet mounted on driftwood branch ; signed "Gilley" in black on top of base beneath gull's beak and dated 1962.
Description: Letter from the founder of the Order of Demolay, Frank S. Land, instructing Wendell Gilley to choose and send carvings to Harry S. Truman, Dr. Frank Stanton, president of CBS, Leon Leonidoff, producer of Radio City Music Hall shows, President Dwight D. Eisenhower, and White House aide Bernard Shanley. The cost of the five carvings was $250.
Description: Distinguished achievement award recognizing Wendell Gilley's accomplishments presented posthumously at University of Maine at Orono commencement exercises on May 14, 1983.
Description: Letter regarding the possible exhibition of a Gilley piece in the Spirits and Nature Exhibition organized by Steven Rockefeller and held at Middlebury College. The piece was a carved and painted group of eiders made in 1970. Color slide transparency enclosed with letter
Description: Letter typed on FBI letterhead and signed by FBI Director J. Edgar Hoover in gold ink thanking Wendell Gilley for the gift of carved bobwhites sent on behalf of Frank S. Land.
Description: Thank you letter from the Governor of California thanking Wendell Gilley for a carving of a quail, which he placed on his desk in the Governor's Mansion.
Wellington - C. G. (Clarence George) Wellington (1890-1960)
Date:
1957-03-04
Description: Letter typed on Kansas City Star letterhead from Executive Editor Clarence G. Wellington thanking Wendell Gilley for carved birds sent on behalf of Frank S. Land.
Description: Panel carved by Gilley Museum Artist-in-Residence Steven Valleau ca 1995 ; one of a series marking the fifteenth anniversary of the museum.
Description: Article from Audubon Adventures, volume 2, number 4 (February/March 1986). Matthew Beal and Stephen Brooks are interviewed about learning to carve at the Wendell Gilley Museum with museum artist Steven Valleau.
Description: Woodcock on driftwood base ; head turned slightly to the right. Signed "Gilley" on right side of base ; inscribed "Woodcock by W. H. Gilley" on underside of base. No date visible.
Description: Herring gull perched on wooden post. No date or signature visible. Stamp "W.H. Gilley" visible under white paint between legs. Bird detaches from base.
Description: Wendell Gilley Museum Director Nina Gormley and members of the museum's board of trustees standing in front of the museum with Whooping Cranes by Walter Matia, 1990.
Description: Eagle standing over fish. Signed "Gilley" on front of base; inscribed "Bald Eagle 1982 by W.H. Gilley" on underside of base. Metal fish is removeable.
Description: Describes the removal of the George Ripley Fuller House, located at the current Wendell Gilley Museum site (the corner of Rte. 102 and Herrick Rd., Southwest Harbor) prior to the museum's construction.
Description: This article, titled "Capt. Black: Artist and Surgeon", describes Wendell Gilley's influence on sculptor Paul Black. It also mentions Gilley's Canada goose carved for Harry S. Truman.
Description: Lists Wendell Gilley as one of America's top craftsmen exhibiting at the Kent County Chapter of the Maryland Ornithological Society show of waterfowl and upland game bird carvings in Nov. 1965. Other carvers exhibiting included Harold Haertel.
Description: Wendell Gilley exhibits forty carvings plus carvings-in-progress at the Philadelphia Academy of Natural Sciences in the show "Down East Bird Carvings."
Description: Announcement that Wendell Gilley would be attending a bird carving exhibition in Chestertown, Maryland. The carving of a bald eagle family that he entered in the exhibit is depicted.
Description: Article from the Evening Telegram (Herkimer, N.Y.), May 17, 1967. Wendell Gilley was the featured speaker at the National Woodcarvers Association's New York chapter's second annual meeting, according to the article, which gives biographical and professional information about him.
Description: A guide to a fascinating hobby! Wendell Gilley was a bird watcher and artist who carved birds in wood on Mount Desert Island, Maine. He started out carving two-inch wooden birds for Abercrombie & Fitch. The book is beautifully illustrated with color photographs and with drawings.
Description: Almost life size; two chickadees on driftwood, both standing upright, left chickadee has head down; both with glass eyes, metal legs and feet, carved and painted detail. Signed "Gilley '58" on rear of base.
Description: Letter to the editor of the Wendell Gilley Museum's publication, The Eider, from James C. Collins after learning of Wendell Gilley's death
Description: This letter describes three birds (a bobwhite, a yellowlegs, and a gull) carved by Wendell Gilley and owned by the letter writer, Isabel Thacher.
Description: Letter to the donor of a bronze sculpture by Walther Matia in memory of Foster Whitlock . The letter thanks her for her donation of the sculpture to the museum and describes the dedication ceremony.
Description: Letter to the Museum Director about sending the museum copies of letters received from Wendell Gilley. Enclosed are two letters by Wendell Gilley to Mr. Stearns.
Description: Letter acknowledging return of a bob-white carving as well as discussion of solder and advice on where to get bass wood. Also included are sketches of the leg and foot of a Canada goose.
Description: Written on museum letterhead, this letter describes the opening of the Wendell Gilley Museum and mentions Wendell Gilley's donation of his carvings to the museum
Description: Letter concerning the packing and shipping of a pintail duck carving commissioned from Wendell Gilley by Norman Willock and returned to the museum for repair.
Description: This letter expresses Lucretia Evans' intention to donate her copy of Wendell Gilley's book Bird Carving, a Guide to a Fascinating Hobby, which she believed might be a first edition.
Description: This letter acknowledges receipt of a letter and chisel from Gilley, and discusses various carvings including a spotted sandpiper on a mussel shell and two pairs of quail
Description: This letter discusses correspondence between Wendell Gilley and Byron Cheever, author and magazine publisher, about Gilley's book. The author of the letter makes suggestions about paper and cover art and discusses copyright.
Description: Letter discusses sending text, artwork, and photos for the book, Art of Bird Carving, to Byron Cheever. Flying goose, bob-white and blue quail carvings are also mentioned.
Description: Letter acknowledges receipt of a copy of O'Brien's letter to Wendell H. Gilley. Cheever promises to work on the material for Gilley's book but says hes is in the process of getting the summer issue of North American Decoys ready for the printer.
Description: Cheever writes that he has received the materials for Gilley's book and that he read the new chapter on decoys and thought it was well done. He also talks about meeting carver Harold Haertel in Chicago at a meeting of decoy collectors.
Description: Note from O'Brien included with a copy of a letter from Byron Cheever. O'Brien mentions having been asked by Peggy Rockefeller if Gilley would sell her a flock of geese.
Description: Photocopy from the original by Byron Cheever listing questions he had regarding publishing Gilley's book. Gilley's answers as dictated to Donal C. O'Brien, Jr. are in pencil after each question.
Description: This letter praises Wendell Gilley's inventiveness, his carving and his book . O'Brien refers to a vise for holding decoys and carvings for painting that Wendell includes in the book.