Description: Group portrait of Wendell Gilley Museum Board with Museum Director Nina Gormley in front of the museum building. Back row, left to right: Sarah Elliott, Carol West, John Wilmerding, Trustee Emeritus, Ashley Bernhard, Nina Gormley, Executive Director/Curator, Clare Shepley, Jennifer Nolan, Roc Cavino, Elizabeth Hughes, Douglass Gott. Front row, left to right: Barbara Rockefeller, Steven Rockefeller, Kate Briggs, Robert Hinkley, Eleanor Hoagland. Not pictured: Arthur Rogers. [show more]
Description: Wendell Gilley is a name well known among carvers and carving collectors. Author of The Art of Bird Carving: A Guide to a Fascinating Hobby, one of the earliest instructional books on the subject, Gilley was a pioneer in the field of decorative bird carving. By his estimate, he created “ten thousand birds of pine and paint” between 1931 and 1983. (Gilley also loved alliteration; it should be noted that most of his carvings were made of basswood.) [show more]
Description: Addie Gilley’s created an outstanding collection of her husband’s work. The carvings that Addie so wisely saved over the years became the core of the Museum’s permanent collection. Wendell and Addie were the guests of honor at the opening of the Gilley Museum on July 12, 1981. They remained active in the museum until their deaths a few months apart in 1983.
Description: The letter writer is asking for more information on Wendell Gilley after watching a Boston television program profiling him. She also mentions owning a Gilley carving of a mallard pair.
Description: Artist-in-Residence Steven Valleau at work on one of a series of panels for the outside of the museum building marking the museum's fifteenth anniversary.
Description: Wendell Gilley, holding a carving of a ruffed grouse, with Steven Rockefeller. On reverse side of photograph: "Wendell Gilley in his S.W. Harbor Studio"
Description: Polaroid photograph of Wendell Gilley standing in his workshop. In front of him is a table holding a saw. Behind him to his right is a carving of a Canada goose.
Description: Distinguished achievement award recognizing Wendell Gilley's accomplishments presented posthumously at University of Maine at Orono commencement exercises on May 14, 1983.
Description: Article from Audubon Adventures, volume 2, number 4 (February/March 1986). Matthew Beal and Stephen Brooks are interviewed about learning to carve at the Wendell Gilley Museum with museum artist Steven Valleau.
Description: This article, titled "Capt. Black: Artist and Surgeon", describes Wendell Gilley's influence on sculptor Paul Black. It also mentions Gilley's Canada goose carved for Harry S. Truman.
Description: Lists Wendell Gilley as one of America's top craftsmen exhibiting at the Kent County Chapter of the Maryland Ornithological Society show of waterfowl and upland game bird carvings in Nov. 1965. Other carvers exhibiting included Harold Haertel.
Description: Wendell Gilley exhibits forty carvings plus carvings-in-progress at the Philadelphia Academy of Natural Sciences in the show "Down East Bird Carvings."
Description: Announcement that Wendell Gilley would be attending a bird carving exhibition in Chestertown, Maryland. The carving of a bald eagle family that he entered in the exhibit is depicted.
Description: Article from the Evening Telegram (Herkimer, N.Y.), May 17, 1967. Wendell Gilley was the featured speaker at the National Woodcarvers Association's New York chapter's second annual meeting, according to the article, which gives biographical and professional information about him.
Description: Miniature; carved figure of bearded man with blue plaid scarf, white shirt, brown coat and trousers, wearing sou'wester; carved and painted detail, attached to square bottom base. Marked "by W.H. Gilley" on underside.
Description: Miniature; carved figure of bearded man with pipe, wearing hat, red patterned scarf, light blue shirt, dark blue trousers, high block boots; attached to rectangular wooden base. Marked "by W.H. Gilley" on underside.
Description: Letter to the editor of the Wendell Gilley Museum's publication, The Eider, from James C. Collins after learning of Wendell Gilley's death
Description: Letter to the Museum Director about sending the museum copies of letters received from Wendell Gilley. Enclosed are two letters by Wendell Gilley to Mr. Stearns.
Description: Wendell Gilley standing in front of garage holding two carvings, an eagle and his first carving, a mallard made in 1930. On back of photo: "Wendell, Gilley, summer 1971, taken by Diane L. Kelly, his 1st & present bird in progress."
Description: Original letter from Byron Cheever, Publisher of North American Decoys, expressing Cheever's willingness to publish Wendell Gilley's book and asking questions about publication and printing details.
Description: Wendell suggests carvings he had on hand that could be photographed to illustrate his book. Birds he suggests are: bob white quail, scaled quail, flock of 7 Canada geese, pair of Wilson snipe, pair of grouse, single woodcock, several miniature birds of all types, great blue heron with trout in mouth, group of three pintails, life size eagle, pair of life size wood duck, spotted sandpiper on mussel shell, life size pileated woodpecker, pair of eagles with two babies in nest. [show more]
Description: Notecard reads "Dear Nina: We are lifelong summer residents of SWH and had the great fortune growing up to meet Wendell several times in his workshop while he was carving birds for my grandparents which we now cherish. My mother Linda Madara was asked by Downeast Magazine to write a story about Wendell and to photograph him and his carvings. We came across the text and original copy this summer and thought you may want it for the archives. Best regards, Ted Madara" Note accompanies a typescript of the magazine article, "Wendell Gilley - The Art of Fine Bird Carving" and photographic negatives. [show more]
Description: This letter expresses Lucretia Evans' intention to donate her copy of Wendell Gilley's book Bird Carving, a Guide to a Fascinating Hobby, which she believed might be a first edition.
Description: This letter discusses correspondence between Wendell Gilley and Byron Cheever, author and magazine publisher, about Gilley's book. The author of the letter makes suggestions about paper and cover art and discusses copyright.
Description: Letter acknowledges receipt of a copy of O'Brien's letter to Wendell H. Gilley. Cheever promises to work on the material for Gilley's book but says hes is in the process of getting the summer issue of North American Decoys ready for the printer.
Description: Photocopy from the original by Byron Cheever listing questions he had regarding publishing Gilley's book. Gilley's answers as dictated to Donal C. O'Brien, Jr. are in pencil after each question.
Description: This letter praises Wendell Gilley's inventiveness, his carving and his book . O'Brien refers to a vise for holding decoys and carvings for painting that Wendell includes in the book.
Description: Letter discusses publishing Gilley's book in a limited edition as well as including a photograph of Gilley with an osprey as an insert. It also mentions a carving of an owl and another of a bobwhite quail on a hatchet.
Description: Wendell Gilley Museum Director Nina Gormley and members of the museum's board of trustees standing in front of the museum with Whooping Cranes by Walter Matia, 1990.
Description: Letter to the donor of a bronze sculpture by Walther Matia in memory of Foster Whitlock . The letter thanks her for her donation of the sculpture to the museum and describes the dedication ceremony.
Description: 3 Guestbooks containing signatures of Wendell Gilley's visitors from March 1944 - Nov. 1951, July 24, 1971 - July 9, 1974, and July 12, 1974 - June 13, 1977. 1 notebook listing names of visitors to his workshop between May 1970 and July 24, 1971
Description: This letter is a reply to the Gilley Museum Director's request for a garden to be donated by the Garden Club of Mount Desert. It also mentions a carving of three gulls on a driftwood based that Mrs. Bancroft commissioned from Wendell Gilley.
Description: Letter congratulating Gilley on the success of the exhibition Downeast Bird Carvings of Wendell Gilley at the Academy of Natural Sciences in Philadelphia. On exhibit were sixty-one carvings of birds "on display together for the first time." 34, 272 people attended the exhibit during its ten week run from October 29, 1976 to January 7, 1977.
Description: Letter thanking Wendell Gilley for the loan of his carvings for the exhibit Downeast Bird Carvings by Wendell Gilley held at the Academy of Natural Sciences, Philadelphia, Oct. 29, 1976 through Jan. 7, 1977
Description: Article from the Philadelphia Inquirer's society column by Ruth Seltzer describing the preparations for the exhibit Downeast Bird Carvings by Wendell Gilley. The exhibit was held at the Academy of Natural Sciences in Philadelphia. The photograph accompanying the article shows Barbara Tyson, a trustee of the Academy, helping unpack the carved birds.
Description: Flyer advertising the Wendell Gilley Museum Benefit Art Auction and Appraisal Day, Aug. 10, 1990. Auctioned items included a framed set of prints, "20 Birds of Mount Desert Island" by Carroll Sargent Tyson.
Description: Describes the removal of the George Ripley Fuller House, located at the current Wendell Gilley Museum site (the corner of Rte. 102 and Herrick Rd., Southwest Harbor) prior to the museum's construction.
Description: Invitation to a black tie dinner celebrating the opening of the exhibit Downeast Bird Carvings by Wendell Gilley at the Academy of Natural Sciences in Philadelphia, Pa. On the back page is a handwritten note from Barbara Tyson to Wendell.
Description: Figure permanently mounted on round footed base, intended to be covered with a glass dome. Top of base is a 3/4 inch diameter inner-ground of fine sand. Heron has cast lead legs and feet, lead-strip crest feathers, glass eyes. Signed "Gilley" on side of driftwood "stump" below left side of bird ; no date.
Description: Adult male Eastern bluebird ; ovoid pine base with multi-twigged branch rising from off-center; narrow-bodied bird sits on a lower twig, head turned to left and slightly raised ; glass eyes, metal feet, no visible legs. Inscribed: "Bluebird by Wendell Gilley for Harold and Gladys Townsend Xmas 1976" on underside of base
Description: Letter describes Mr. Silver's visit to Elmer Crowell's workshop where he purchased several miniature bird carvings, and his subsequent visit to Wendell Gilley's workshop. Enclosed are photographs of a greater yellowlegs and a duck carved by Crowell. Silver also describes Wendell Gilley's trip to Abercrombie and Fitch where he was inspired to start bird carving.
Description: Christmas card featuring a carving of a family of bald eagles, the female perched on the edge of the nest of two chicks, the male on a branch above with wings spread. Marked 1969 on reverse of card
Description: Christmas card featuring a carved barn owl on a piece of driftwood. Signed "Addie & Wendell Gilley." Marked "Xmas 1976" on reverse side of card
Description: Christmas card featuring a carved saw-whet owl surrounded by snow covered greenery. Signed "Sincerely, Wendell & Addie Gilley" and dated 1967 on reverse side of card
Description: Describes Wendell Gilley's visit to Herkimer New York where in 1967 Fenner invited him to be guest speaker at the National Woodcarvers Association Woodcarving Show held there. This letter is accompanied by photos of Wendell Gillley at the show.
Description: Photograph accompanies letter from Donald M. Fenner to the Gilley Museum. Back of photograph marked: "DMF, Wendell Gilley, NWCA Meeting Herkimer, N.Y. May 1967, examining carvings by Erwin Caldwell".
Description: Photograph accompanies letter from Donald M. Fenner to the Gilley Museum. Back of photograph marked: "Helen Lay Strong - died June 13, 1995, Ed Gallenstein - President National Woodcarvers Association, Wendell Gilley, NWCA Herkimer Meeting, May 1967".
Description: Photograph accompanies letter from Donald M. Fenner to the Gilley Museum. The two carvers are shown seated with various carvings by Wendell Gilley. The pintail in Gilley's hands was given to Fenner. Back of photograph marked: "'Captain' Ed Moore, Wendell L. [sic] Gilley, Woodcarvers Meeting, Herkimer, N.Y. May 1967"
Description: Photograph accompanies letter from Donald M. Fenner to the Gilley Museum. The two carvers are shown seated with various carvings by Wendell Gilley. The pintail in Gilley's hands was given to Fenner. Back of photograph marked: "N.Y.S. Wood carvers Convention Herkimer - May 1967 " ; stamped: "Carlyle W. Kennedy."
Description: The published version of this draft appeared with the title "A Visit with Wendell Gilley, A Legend in the Carving World" in the National Carver's Museum publication, The Mallet. The author indicates that in Nov. 1979 Wendell told him about the planned building of the Wendell Gilley Museum.
Description: Panel carved by Gilley Museum Artist-in-Residence Steven Valleau ca 1995 ; one of a series marking the fifteenth anniversary of the museum.
Description: Panel carved by Gilley Museum Artist-in-Residence Steven Valleau ca 1995 ; one of a series marking the fifteenth anniversary of the museum.
Description: Panel carved by Gilley Museum Artist-in-Residence Steven Valleau ca 1995 ; one of a series marking the fifteenth anniversary of the museum.
Description: Panel carved by Gilley Museum Artist-in-Residence Steven Valleau ca 1995 ; one of a series marking the fifteenth anniversary of the museum.
Description: One of sixty-one carvings exhibited in a major museum retrospective "Downeast Bird Carvings by Wendell Gilley" at the Academy of Natural Sciences in Philadelphia in 1976/77. Adult male northern flicker in a feeding position on driftwood mount ; glass eyes, cast lead feet with curved talons "gripping" the curves of the driftwood ; signed "Gilley" in black ink on lower left of the upper surface of the mount ; additionally signed on the flat underside of the base in three separate areas: "Yellow-shafted Flicker" and "By W.H. Gilley 1969" and "Made especially for Dr. & Mrs. J.L. Hollander." [show more]
Description: Letter mentions meetings of the Mount Desert Island Bird Club and MDI Hospital Auxiliary being held at the Gilley Museum. Enclosed with the letter is a Polaroid photo of an unpainted eagle carving. Wendell also mentions working on two life-size grouse .
Description: Letter mentions receiving a bird book from the Whitlocks. It also talks about working on carvings of an eagle with a fish and a ruffed grouse with spread tail and another taking off in flight. Enclosed with the letter are drawings of male and female swimming buffleheads.
Description: Black and white photograph with label: "Pileated woodpecker. 1970 carving by Wendell Gilley - Collection of Wendell Gilley Museum - photo by Dori Selene Rockefeller" on reverse
Description: Black and white photograph labeled "Ruffed Grouse. 1981 carving by Wendell Gilley - collection of Dr. and Mrs. Leonard Gilley - photo by Dori Selene Rockefeller" on reverse
Description: Black and white photograph labeled "Wendell Gilley - Great Blue Heron" and inscribed "Woodcarving of a 'Great Blue Heron with Trout' by Wendell Gilley, 1974 - collection of the Wendell Gilley Museum, Southwest Harbor" in red ink on reverse
Description: Black and white photograph labeled "Golden eagle. 1980 carving by Wendell Gilley - collection of Wendell Gilley Museum - photo by Dori Selene Rockefeller" on reverse
Description: Wendell Gilley standing next to a life size great horned owl carving. Also shown are carvings of a Canada goose, woodcock, and an unpainted pair of cormorants.
Description: Letter from the founder of the Order of Demolay, Frank S. Land, instructing Wendell Gilley to choose and send carvings to Harry S. Truman, Dr. Frank Stanton, president of CBS, Leon Leonidoff, producer of Radio City Music Hall shows, President Dwight D. Eisenhower, and White House aide Bernard Shanley. The cost of the five carvings was $250.
Description: Letter regarding the possible exhibition of a Gilley piece in the Spirits and Nature Exhibition organized by Steven Rockefeller and held at Middlebury College. The piece was a carved and painted group of eiders made in 1970. Color slide transparency enclosed with letter
Description: Letter typed on FBI letterhead and signed by FBI Director J. Edgar Hoover in gold ink thanking Wendell Gilley for the gift of carved bobwhites sent on behalf of Frank S. Land.
Description: Thank you letter from the Governor of California thanking Wendell Gilley for a carving of a quail, which he placed on his desk in the Governor's Mansion.
Wellington - C. G. (Clarence George) Wellington (1890-1960)
Date:
1957-03-04
Description: Letter typed on Kansas City Star letterhead from Executive Editor Clarence G. Wellington thanking Wendell Gilley for carved birds sent on behalf of Frank S. Land.
Description: Panel carved by Gilley Museum Artist-in-Residence Steven Valleau ca 1995 ; one of a series marking the fifteenth anniversary of the museum.
Description: Woodcock on driftwood base ; head turned slightly to the right. Signed "Gilley" on right side of base ; inscribed "Woodcock by W. H. Gilley" on underside of base. No date visible.
Description: Herring gull perched on wooden post. No date or signature visible. Stamp "W.H. Gilley" visible under white paint between legs. Bird detaches from base.
Description: Eagle standing over fish. Signed "Gilley" on front of base; inscribed "Bald Eagle 1982 by W.H. Gilley" on underside of base. Metal fish is removeable.
Description: Written on museum letterhead, this letter describes the opening of the Wendell Gilley Museum and mentions Wendell Gilley's donation of his carvings to the museum
Description: Letter concerning the packing and shipping of a pintail duck carving commissioned from Wendell Gilley by Norman Willock and returned to the museum for repair.
Description: This letter acknowledges receipt of a letter and chisel from Gilley, and discusses various carvings including a spotted sandpiper on a mussel shell and two pairs of quail
Description: Letter discusses sending text, artwork, and photos for the book, Art of Bird Carving, to Byron Cheever. Flying goose, bob-white and blue quail carvings are also mentioned.
Description: Cheever writes that he has received the materials for Gilley's book and that he read the new chapter on decoys and thought it was well done. He also talks about meeting carver Harold Haertel in Chicago at a meeting of decoy collectors.
Description: Note from O'Brien included with a copy of a letter from Byron Cheever. O'Brien mentions having been asked by Peggy Rockefeller if Gilley would sell her a flock of geese.
Description: O'Brien acknowledges receipt of a spotted sandpiper carving from Gilley and discusses a handle Gillely designed for an X-Acto blade as well as decoy designs.
Description: Adult male, body held horizontal and low with tail fanned and pin arched upward ; head fully outstretched, twisted upward and to the right ; wire legs and metal webbed feet ; glass eyes ; signed "Gilley '61" on right rear side of base
Description: Six-board pine box, lap-joined and nailed, with clear acrylic finish ; rounded-edge lift cover, carved underneath to set in box cavity. Five-inch long mallard is screw-mounted lengthwise in the center of cover ; has two curled lead-strip tail-curls, glass eyes. Marked "Made for Hilda and Hulda Bragdon" on underside of box. Signed "Made by Wendell Gilley" and dated 1950 (in a circle).
Description: Catalog of an exhibition of Wendell Gilley's bird carvings held at the Academy of Natural Sciences of Philadelphia from October 29, 1976 through January 9, 1977
Description: Sign at the Academy of Natural Sciences of Philadelphia for Wendell Gilley's Downeast Bird Carvings exhibit, October 29, 1976 through January 9, 1977.
Description: Miniature adult; glass eyes, wire legs set into smooth round base with painted feet; body horizontal, head semi-erect, facing forward; underside of base marked/signed "Addie Gilley, by W. H. Gilley." Elmer Crowell copy
Description: From the 2018 Premier Edition of Cultural adventures : Acadia and Downeast Maine. Gives background information about Wendell Gilley and describes carving classes offered by the Wendell Gilley Museum. Features photos of a great horned owl carved by Wendell Gilley as well as sandpipers carved by students in the museum's carving classes.
Description: From the July 2021 issue of Down East Magazine. Describes the history and current day programming of the Wendell Gilley Museum. Resident artist Steve Valleau is featured.
Description: Resting bird, head slightly tucked, bill downwards, tail swept up and wing tips cropped; minimal carved detail, incised wings ; glass eyes, metal legs and feet with talons clutching downward on driftwood burl base. Signed "Gilley" on top of base, lower left; no date on piece but approximately 1948.
Description: Gull in adult plumage, head erect and straight ahead, wing tips balanced high over tail, feet braced on a navigational buoy called a red nun. Glass eyes, wire legs and metal feet. Buoy painted with white Arabic numeral "4". Carved oval pine base, gouge-carved and painted to resemble sea water. No date visible.