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You searched for: Type: is exactly 'Document, Correspondence'Subject: Carvings
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Type
  • Document
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Date
Accession # Identifier Title Type Subject
1355Letter from Donal C. O'Brien, Jr. to Belton Kleberg (B. K.) Johnson, May 6, 1971
  • Document, Correspondence
  • Birds
  • Carvings
Description:
Letter describes a carving of a blue quail and bobwhite purchased by Johnson
1552Letter from Frank S. Land to Wendell H. Gilley.
  • Document, Correspondence
  • Carvings
  • People
Description:
Letter from the founder of the Order of Demolay, Frank S. Land, instructing Wendell Gilley to choose and send carvings to Harry S. Truman, Dr. Frank Stanton, president of CBS, Leon Leonidoff, producer of Radio City Music Hall shows, President Dwight D. Eisenhower, and White House aide Bernard Shanley. The cost of the five carvings was $250.
1445Letter from Jack Ekstrom to Fred Clark, 1993
  • Document, Correspondence
  • Birds
  • Carvings
  • Other, Literature
Description:
Letter to the president of Warren Tool Co. from artist Ekstrom about an article and artwork of Wendell Gilley's chickadee for Popular Woodworking. Ekstrom describes how he had to carve the chickadee himself before he could finish the article.
1511Letter from Wendell H. Gilley to Capt. Benjamin H. Rigg, Oct. 26, 1964
  • Document, Correspondence
  • Carvings
Description:
Letter accompanied by a cardboard pattern of a spread tail grouse and a photograph of a belt grinder
1354Letter from Wendell H. Gilley to Donal C. O'Brien, Jr., May 9, 1980
  • Document, Correspondence
  • Carvings
Description:
Discusses carvings to be included in the museum collection.
1438Letter from Wendell H. Gilley to Fred Clark, December 2, 1979
  • Document, Correspondence
  • Carvings
Description:
Letter to the President of Warren Tool Co., Fred Clark, discussing carving knives and blades
1437Letter from Wendell H. Gilley to Fred Clark, November 17, 1978
  • Document, Correspondence
  • Birds
  • Carvings
Description:
Letter to the President of Warren Tool Co., Fred Clark, concerning wood carving tools and ways of holding tools on a work bench. Also mentioned is a grouse carving loaned to Harry Meech, one of the founders of the National Carvers Museum.
1439Letter from Wendell H. Gilley to Fred Clark, November 6, 1978
  • Document, Correspondence
  • Birds
  • Carvings
  • People
Description:
Letter to the President of Warren Tool Co., Fred Clark, containing Wendell Gilley's pencil illustrations of carving knives and blades
1512Letter from Wendell H. Gilley to Mr. and Mrs. Foster B. Whitlock, February 19, 1982
  • Document, Correspondence
  • Carvings
  • Organizations, Civic
Description:
Letter mentions meetings of the Mount Desert Island Bird Club and MDI Hospital Auxiliary being held at the Gilley Museum. Enclosed with the letter is a Polaroid photo of an unpainted eagle carving. Wendell also mentions working on two life-size grouse .
1513Letter from Wendell H. Gilley to Mr. and Mrs. Foster B. Whitlock, March 17, 1982
  • Document, Correspondence
  • Carvings
Description:
Letter mentions receiving a bird book from the Whitlocks. It also talks about working on carvings of an eagle with a fish and a ruffed grouse with spread tail and another taking off in flight. Enclosed with the letter are drawings of male and female swimming buffleheads.
1481Letter to Fred Clark from Nina Gormley, February 22, 1992
  • Document, Correspondence
  • Birds
  • Carvings
Description:
Letter thanking Fred Clark, President of Warren Tool Co., for promoting the Gilley Museum in its catalog. The letter also describes winter events at the museum as well as the museum's collection of taxidermy.
1353Letter to Nina Gormley from Gertrude Bancroft
  • Document, Correspondence
  • Carvings
  • Gardens
Description:
This letter is a reply to the Gilley Museum Director's request for a garden to be donated by the Garden Club of Mount Desert. It also mentions a carving of three gulls on a driftwood based that Mrs. Bancroft commissioned from Wendell Gilley.
1203Letter to Nina Gormley from Norman Ashley Willock
  • Document, Correspondence
  • Birds
  • Carvings
Description:
Letter concerning the packing and shipping of a pintail duck carving commissioned from Wendell Gilley by Norman Willock and returned to the museum for repair.
1202Letter to Raymond L. Stearns from Wendell Gilley
  • Document, Correspondence
  • Carvings
  • People
Description:
Written on museum letterhead, this letter describes the opening of the Wendell Gilley Museum and mentions Wendell Gilley's donation of his carvings to the museum
1556Letter to Steven C. Rockefeller from Nina Z. Gormley, March 16, 1990
  • Document, Correspondence
  • Carvings
  • Events, Exhibitions
Description:
Letter regarding the possible exhibition of a Gilley piece in the Spirits and Nature Exhibition organized by Steven Rockefeller and held at Middlebury College. The piece was a carved and painted group of eiders made in 1970. Color slide transparency enclosed with letter
1365Letter to the Wendell Gilley Museum from Sonia Cohn, Apr. 4, 1983
  • Document, Correspondence
  • Carvings
  • People
Description:
The letter writer is asking for more information on Wendell Gilley after watching a Boston television program profiling him. She also mentions owning a Gilley carving of a mallard pair.
1440Letter to Wendell Gilley Museum from Donald M. Fenner, August 26, 2001
  • Document, Correspondence
  • Carvings
Description:
Describes Wendell Gilley's visit to Herkimer New York where in 1967 Fenner invited him to be guest speaker at the National Woodcarvers Association Woodcarving Show held there. This letter is accompanied by photos of Wendell Gillley at the show.
1410Letter to Wendell Gilley Museum from John A. Silver, Sept. 9, 1986
  • Document, Correspondence
  • Carvings
  • People
Description:
Letter describes Mr. Silver's visit to Elmer Crowell's workshop where he purchased several miniature bird carvings, and his subsequent visit to Wendell Gilley's workshop. Enclosed are photographs of a greater yellowlegs and a duck carved by Crowell. Silver also describes Wendell Gilley's trip to Abercrombie and Fitch where he was inspired to start bird carving.
1211Letter to Wendell H. Gilley from Byron Cheever
  • Document, Correspondence
  • Carvings
  • Other, Literature
  • People
Description:
Cheever writes that he has received the materials for Gilley's book and that he read the new chapter on decoys and thought it was well done. He also talks about meeting carver Harold Haertel in Chicago at a meeting of decoy collectors.
1559Letter to Wendell H. Gilley from C. G. Wellington
  • Document, Correspondence
  • Carvings
  • People
Description:
Letter typed on Kansas City Star letterhead from Executive Editor Clarence G. Wellington thanking Wendell Gilley for carved birds sent on behalf of Frank S. Land.
1205Letter to Wendell H. Gilley from Donal C. O'Brien, Jr.
  • Document, Correspondence
  • Carvings
Description:
This letter acknowledges receipt of a letter and chisel from Gilley, and discusses various carvings including a spotted sandpiper on a mussel shell and two pairs of quail
1207Letter to Wendell H. Gilley from Donal C. O'Brien, Jr.
  • Document, Correspondence
  • Carvings
  • Other, Literature
Description:
Letter discusses sending text, artwork, and photos for the book, Art of Bird Carving, to Byron Cheever. Flying goose, bob-white and blue quail carvings are also mentioned.
1212Letter to Wendell H. Gilley from Donal C. O'Brien, Jr.
  • Document, Correspondence
  • Carvings
  • People
Description:
Note from O'Brien included with a copy of a letter from Byron Cheever. O'Brien mentions having been asked by Peggy Rockefeller if Gilley would sell her a flock of geese.
1218Letter to Wendell H. Gilley from Donal C. O'Brien, Jr.
  • Document, Correspondence
  • Birds
  • Carvings
  • Object, Other Object, Decoys
Description:
Letter describing the making of 36 duck decoys.. O'brien also mentions picking up a finished woodcock from Gilley.
1219Letter to Wendell H. Gilley from Donal C. O'Brien, Jr.
  • Document, Correspondence
  • Birds
  • Carvings
  • Object, Other Object, Decoys
Description:
O'Brien acknowledges receipt of a spotted sandpiper carving from Gilley and discusses a handle Gillely designed for an X-Acto blade as well as decoy designs.